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OVERVIEW

Slade Digital is a creative agency that develops and produces filmed entertainment projects, introducing and developing emerging artists.


Slade Digital has formed this business for the purpose of securing the independent financing to create the necessary environment in order to produce original films. "Breakfast in Vegas" and "Here Comes the Sun" are budgeted at 7.5 million.

THE FILM INDUSTRY

Over the last ten years, the film industry has shown rising profits. Perhaps no other business in the world routinely offers startup film companies the potential for returns on investment that a breakout film can enjoy. Our franchise includes our film, music videos, movie soundtrack, and a fashion line.

The African-American community generates in excess of $500 billion in revenue each year!
. Urban culture is now experiencing crossover appeal spearheaded by the music and fashion industry, as demonstrated most recently by the successful 8 Mile starring Eminem and Kim Bassinger topping the charts at $184 million gross world wide and an additional $40 million the first day that the DVD was released. Revenues continue to roll in. Bringin' Down the House, starring Queen Latifah and Steve Martin along with Pirates of the Caribbean and Finding Nemo made Disney revenues zoom to 3Billion in 2003, soaring above Sony revenues and helping to make them the most profitable studio in the industry.

Eminem Breaks Record With DVD Sales
[International - 21 March 2003]
Controversial hip-hop star Eminem has set a new record, after sales of his 8 Mile DVD generated a whopping US$40 million - on its very first day of release.The DVD, which was released on Tuesday, 18 March 2003, set a record for an R-rated film, Universal Home Video reports. More than 2 million DVDs were sold in a single day.The disc, available in both censored and uncensored versions, contains new rap battles and Eminem's new music video "Superman", which is available only on the DVD. (WENN)
PIMP MY CAR WITH X is the new hit show on MTV and Mean Girls and You GOT SERVED, two 'URBAN" recent film releases broke box office records, cashing in over $40M on their first weekend in the theaters.

SLADE DIGITAL FILMED ENTERTAINMENT PROJECTS

 
 
SYNOPSIS  
 
 
Breakfast in Vegas
 
 
JD, an 18-year-old African American from South Central, Los Angeles, and Barkim, older and a lot more cocky, are having a typical day, looking for girls, smoking bud, and stealing luxury cars for sport and profit. They stop to get a CD out of the back of their newly stolen Lexus Truck and discover 50 bricks of cocaine, belonging to the trucks previous owner, a dead ringer for Tony Soprano. Barkim convinces JD that they can make "the deal of our life time" by selling the coke to Snooky, a guy in Vegas he knows from fencing hot cars. The two embark on a road trip to meet their connections at Bugsy's Diner in Vegas. They're secretly followed by Shanida and Dawana, two girls from their hood who have a long time vendetta against Barkim. They pick up Vicky and Lila, who are hitchhiking to Vegas to pursue their "dancing" careers, just outside of Barstow. When the six inevitably meet up, all hell breaks loose in hilarious situations, leaving innocent JD in dire straits as plans spin way out of control.

A hip hop version of the fabulous Pulp Fiction, this road trip romp has humor, suspense and gritty dialog.

SCREENPLAY and Budget Available

 
 
Here Comes the Sun
 
  A young and daring Asian woman R&B singer defies her father and travels to America to pursue her career. Her two childhood friends, Takara and Mika, meet her in Hollywood and educate her to the world of "hip hop" and the fine art of finding very rich men. Serious about her career, she manages to fend off exploitive producers and would be managers until she meets a well-established record company owner, who takes an interest in her.

He produces a song that she has written and performed with his leading recording artist, EASY. It hits big but inner conflicts ensue as she struggles for her own identity and the pressures of race, class and her Asian family's expectations torment her. She must make the most difficult choice of her life as she experiences the harsh world of the music business and struggles to express her own voice.

SCREENPLAY and Budget Available

 
 
Cosmic Radio
 
  A half-hour animated sit com along the lines of Dr. Katz or South Park, this music driven hip cool high tech funky fantasy world is set in Mars in the year 2020. An international space mission targeted to investigate the outer limits of space malfunctions and crash lands on Mars! To the surprise of the United States and the rest of Earth, a fantastic group of animated characters is discovered at the center of the Mars. They revolve around a radio station run by the universally notorious host, THE HATER and his dj, CRAZY ARMS. The Hater's family is the new Flintstone family of the Future. Tik Tok, his precocious teenage daughter, is into Ham Radio. The Hater's bossy wife, Agatha is the true strength in the family. Each episode will feature a pop music star that comes to Mars to be interviewed on COSMIC RADIO. This project is ideal to become a full-length animated feature film like SHARK'S TALE. Kids of all ages will enjoy this comedy based on the tradition of THE JETSON'S with a 21st Century flavor and style.

Pilot Script, DVD Promo, Bible, Character Designs

 
 
Castle of Dream
 
  This romantic love story is set in the South of France. Two twin brothers, now in their forties, one rich, one who already went through his inheritance go on one last big venture together. Issues of money, loyalty, class, family, and obligation are explored as the two brothers become involved in a top secret project that could lead to the answer to space travel and exploration.

Screenplay Available


 
 
Against Medical Advice
 
  This dramatic story based on actual events, chronicles the life of a young woman in the Red Cross at the end of the War in Vietnam. As she works to heal the wounds of the returning military men, she becomes a victim of the medical system herself, and then must fight her own battle back to health.

Screenplay Available

 
  SLADE PHILOSOPHY  
  Stephanie Slade is an innovator in visual entertainment and her pioneering work as a designer in the television and film industry has enabled her to create a world wide community of creative professionals. A collaborative artist, she worked with Damien Matthias also known as "E-love" and John "Boogie" Attles as a screenwriting team among other urban talent to write and develop films in the urban genre. Her combined production experience and resources cover all aspects of production, post-production and marketing for film, music, and fashion. She has worked in the production communities of Hollywood and New York, and developed global industry alliances. She has partnered with various artists and production companies to produce documentaries, television shows, animation and dramas. Her experience with long distance digital communications has given her the opportunity to meet production personnel from around the world. Her philosophy is to be true to the independent creative spirit, and work towards making the world a collaborative, creative, safe and entertaining place where people can connect for projects and stay in their pajamas if they want to, the rest of the time working together from anywhere in the world.

It is the mission of Slade Digital to introduce quality entertainment with depth, intelligence, and streetwise sensibility, present new talent and create an international film production franchise that will continue to grow far into the future.

In addition to her work as a producer with Slade Digital Stephanie has started a non-profit organization to support a broad coalition of charities working for education and training of underserved youth and specifically of creative young people. She has completed the curriculum her first project for the foundation for the training and job placement of 'at risk' youth called "Let's Make a Movie". Her plan includes building a training camp for youth 'at risk' similar to Robert Redford's Sundance Institute. The dream is to have a retreat for talented children to develop and produce their projects, increase their knowledge, develop their health and athletic abilities, and learn how to collaborate together in creative teams. These teams will stay connected for international creative work online. Primarily a Filmmaking, Music and Sports camp, sponsorships will come from companies like APPLE, SONY, ESPN, PIXAR, FINAL CUT, FINAL DRAFT, MOVIE MAGIC, VESPA, FORD, AMERICAN EXPRESS, NEWLINE CINEMA, THE FILM FOUNDATION, (many other companies that serve the Music Film and Sports industry along with individual donations.

 
  PRESIDENT/CEO
PRODUCER/DESIGNER/CO-WRITER - Stephanie Slade

 
  A producer, screenwriter and designer, Ms. Slade has produced music videos, documentaries, educational films and dramas. Her body of work includes music videos for Capitol/EMI, Bravo's Hemingway: In Love and War and the Movies, A&E's, The Infamous Dorothy Parker, CBS's Sleep, Dreams, and other Mysteries of the Night, HBO's Kathy and Mo Show, NBC's In Search of Amelia Earhart and Her Dark Secret for HBO. She produced the historic International Painting Interactive, connecting over 150 artists including painters, video artists and musicians for a live week-long creative, collaborative worldwide jam originating from 14 countries. She secured sponsorship from Silicon Graphics, Grass Valley Group, Apple, IBM, AT&T and many more. Slade has received numerous awards including the EMMY in Title Design for the television show, The New Love American Style and she worked with Little Apple Productions and Producer Mel Damski on the Oscar-nominated short documentary, "Still Kickin". Slade is a graduate of the Barron Brown School of Dramatic Arts where she studied acting, producing and directing. She is the owner of Slade Digital www.sladedigital.com

INDUSTRY ALLIANCES: OUR TEAM


Irwin Tennenbaum, Loeb and Loeb, Intellectual Property Representation
Pete Wilke: Entertainment and Securities Law Attorney
Glenn Litwak: Entertainment Attorney, Litwak, Havkin & Babos, Music Recording.
All kinds of music and film and sports folks.

 
  THE MARKET  
  A HISTORY OF GROWTH
From 1991 through 2001, domestic box office numbers have grown 73 percent. The movie industry is known as a recession proof industry. In bad times or good, we need our entertainment.
However, domestic box office numbers from the theatrical release only tell part of the story as revenue from foreign markets routinely equal or exceed these numbers. The "After Market" for film is growing. After the theatrical release, the film enjoys video and DVD sales, cable, network and syndicated TV as well as ancillary markets including soundtracks, posters, fashion, videogames and other merchandise.
In fact, thanks to the ever-increasing number of cable channels, the emergence of the Pay-Per-View market and the huge growth in DVDs, overall revenue in the film industry grew well over 100 percent from 1991 through 2003.

HOLLYWOOD NOTICES THE "URBAN" MARKET
The urban market is all about lifestyle. Driven by African Americans and Latinos, this market also includes the full range of ethnicities. It focuses on a youthful lifestyle based on the trends and culture of the inner city. However, one can conceivably be a part of this market even if he or she has never been to the inner city. And it is world wide and growing fast. The latest statistics show that African American Urban Market is now over 5 billion a year strong. The point is that this market can and should be considered mainstream.
When Boyz in the Hood grossed $56 million on a $6 million budget in 1991, Hollywood finally took note.

Network television has long recognized the value of the young urban market as evidenced by the billions of dollars spent to purchase NFL and NBA television rights and the success of the programming for WB, UPN and Fox Networks targeted at a younger, more urban cross-over audience.

Today, a decade after Boyz in the Hood, urban films have become an unstoppable force with ALL major distributors jumping in.

 
 
ANCILLARY OPPORTUNITIES

SOUNDTRACK
Today Hip-Hop or R&B/Rap music is what Rock-and-Roll was in the 50's, a furiously growing musical style that is setting youth trends. According to Billboards' Top 100 dated February, 2003, of the top selling albums 25 were R&B/Rap including Eminem's soundtrack from 8 Mile, Jay-Z, Missy Elliot, and 50 Cent.

The key to producing a successful soundtrack is to retain successful soundtrack producers like Dr. Dre ("Training Day") or Paul Stewart ("Barbershop"). The producer will secure top selling artists like JA Rule, Missy Elliot, or Nelly, and then fill the rest of the album with up-and-coming artists.

Along with the revenue stream from album sales, there is the added benefit of music videos, providing invaluable advertising and promotional opportunity.

FASHION
From the sporty and extremely profitable FUBU fashion line to the more upscale Sean Jean, the influence of Hip Hop is dominating the style of music and fashion trends of today's youth. Besides the production and marketing of the film, will also produce and market the movie sound track and launch a new fashion line.

Rap mogul Russell Simmons understood that fashion plus rap equals sales when he created the Phat Farm fashion line. FUBU wisely retained rap icon, LL Cool J as a spokesperson when it launched its line that skyrocketed from a modest $1 million in revenue five years ago to over $500 million today. Designers such as Gucci, Prada and Versace are often subjects that rappers choose to mention and these hip designer fashions are regularly sported by mega-stars such as Destiny's Child, EMINEM, Dr. Dre, Li'l Kim, Eve, Mary J. Blige and others. will launch a successful hip-hop fashion line with product placement in the following:
Ø Feature film with accompanying music videos
Ø Soundtrack, with 3 music videos
Ø Print advertising
Ø TV spots
Ø In-theater trailers

OTHER TIE-INS
The new fashion label is one of a number of revenue generating opportunities for. Many companies are now seeing movies as a powerful marketing tool. Mercedes used the release of Men in Black II to launch their latest car model at a cost of $15 million, payable to the film's production company. Both Aston Martin and Thunderbird presented their latest high tech autos through the most successful James Bond film box office debut in Bond history, Die Another Day, with Pierce Brosnan and Halle Berry.

Films like our Breakfast in Vegas are ripe with product placement opportunity including items such as clothes, sneakers, sunglasses, watches, soft drinks, beverages and automobiles, This exposure could spell the difference between becoming a trend in the youth community or not. One just needs to compare Tommy Hilfiger's 1993 annual revenue of $138.6 million to that of 1994 ($227.2 million), the year Snoop Doggy Dogg wore his brand on Saturday Night Live, to the 2001 totals that now exceedv$1.9 billion to clearly understand just how lucrative this market has become.

BASIC URBAN STATS
Around 45 million people have been identified as being part of the urban mindset. Right now, urban culture dictates US culture and US culture dictates world culture. Urban markets have more people in their areas than actually reported, and minority spending has increased 12-15% over the last 5 years. The buying power of minorities reached $1.3 trillion in 2001. Approximately 40 million people have found common interest in the hip-hop culture of music and fashion. African American consumers compromise the largest buying power group of minorities, $572.1 billion in 2001. Hispanic spending is expected to reach 475 billion. Blacks buying power in the U.S. is expected to increase nearly 30% to $682 billion in the next five years. Luxury car makers and food and beverage manufacturers alike have focused their efforts on this market segment given the overwhelming influence they have in the market as a whole.


COLLABORATIVE MARKETS AND PARTNERSHIPS

Footaction USA, a national athletic shoe and sportswear retailer, has entered into a partnership with Urban Marketing Corporation of America to market and promote select films in over 480 Footaction stores throughout the U.S, Puerto Rico, and the U.S. Virgin Islands. UMCA will work with major and independent film studios to create marketing campaigns that target Footaction's customer base of 160 million. Under the pact, Footaction (the second largest athletic specialty retailer in the country) will incorporate special programming into Footaction Television, their in-store video network, reaching an estimated 500,000 viewers each day. The programming will include film clips, behind-the-scenes footage, and individual footage of actors, customized trailers and soundtrack videos. Footaction.com will also create online promotional events as well as include film information in its monthly newsletter, sent to over 250,000 subscribers. Special in-store promotional events will also be developed, such as celebrity appearances, contests co-promoted by local radio stations, product placement for custom movie apparel. This marketing solution is expected to position these films to out perform all other competitors. This new style marketing is intended to develop a relationship with young adults (12-24) of all races.

COMPETITION
Master P: Combining music and independent movies, this entrepreneur's estimated wealth as of 2001 was $293.8 Million. One of Fortune 500's richest 40 under 40. Master P has been known to distribute all music (Record label is No limit Records) and movies (No Limit Productions) independently. Projects include: Undisputed with Wesley Snipes and Ving Rhames, Lockdown (produced and financed) and is currently filming a cop comedy for Revolution/Sony Studios, in which he stars with Harrison Ford and Josh Hartman. Master P started a male clothing line, P. Miller, in 2002, and he and his son recently launched P. Miller Shorties for boys which debuted at 264 Mervyn's Department Stores.
John Singleton: This African-American film writer won several awards as a film student at USC which in turn led to a contract with the powerful Creative Artists Agency. His directorial debut Boyz In The Hood (1991) received major studio backing, a $6M budget and a showcase at the Cannes film Festival. An urgent, powerful, coming of age tale, the film found a spark of hope amid its bleak, violence-ridden South Central Los Angeles setting and became one of the top-grossing features ever made by a black filmmaker. Boyz in the Hood has been dubbed one of the finest debut films in American History. The film grossed $26.7M, and earned Oscar nominations for best original screenplay and best director. In 1995 Singleton followed up with another moving drama Poetic Justice starring the late rapper Tupac Shakur, and Janet Jackson. It was received well in the box office and among critics. In 1995 Higher Learning was released, the movie charted relations on a multi-racial college campus. Singleton's third feature film did over $13M at the box office its opening weekend and eventually earned $39M.
Spike Lee: In 1986 Spike directed his first debut film She's Gotta Have It for $175,000. It grossed $7M. This movie won worldwide acclaim and spawned Lee's career. In 1988 Lee directed and produced School Daze, one of the first major studio motion pictures over which a black filmmaker was given complete control. Lee's next film, Do The Right Thing, established Lee as a filmmaker of genuine distinction and originality. Lee has filmed over 12 movies in his career, notably including Jungle Fever, Malcolm X and He Got Game.

 
 
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