|
|
|
|
|
|
|
 |
| |
| FILM
BUSINESS PLAN |
|
|
|
| |
OVERVIEW
Slade Digital is a creative agency that develops
and produces filmed entertainment projects, introducing
and developing emerging artists.
Slade Digital has formed this business for the purpose
of securing the independent financing to create the
necessary environment in order to produce original films.
"Breakfast in Vegas" and "Here Comes
the Sun" are budgeted at 7.5 million.
THE FILM INDUSTRY
Over the last ten years, the film industry has shown
rising profits. Perhaps no other business in the world
routinely offers startup film companies the potential
for returns on investment that a breakout film can enjoy.
Our franchise includes our film, music videos, movie
soundtrack, and a fashion line.
The African-American community generates in excess of
$500 billion in revenue each year! .
Urban culture is now experiencing crossover appeal spearheaded
by the music and fashion industry, as demonstrated most
recently by the successful 8 Mile starring Eminem and
Kim Bassinger topping the charts at $184 million gross
world wide and an additional $40 million the first day
that the DVD was released. Revenues continue to roll
in. Bringin' Down the House, starring Queen Latifah
and Steve Martin along with Pirates of the Caribbean
and Finding Nemo made Disney revenues zoom to 3Billion
in 2003, soaring above Sony revenues and helping to
make them the most profitable studio in the industry.
Eminem Breaks Record With DVD Sales
[International - 21 March 2003]
Controversial hip-hop star Eminem has set a new record,
after sales of his 8 Mile DVD generated a whopping US$40
million - on its very first day of release.The DVD,
which was released on Tuesday, 18 March 2003, set a
record for an R-rated film, Universal Home Video reports.
More than 2 million DVDs were sold in a single day.The
disc, available in both censored and uncensored versions,
contains new rap battles and Eminem's new music video
"Superman", which is available only on the
DVD. (WENN)
PIMP MY CAR WITH X is the new hit show on MTV and Mean
Girls and You GOT SERVED, two 'URBAN" recent film
releases broke box office records, cashing in over $40M
on their first weekend in the theaters.
SLADE DIGITAL FILMED
ENTERTAINMENT PROJECTS
|
|
| |
|
|
| |
Breakfast in
Vegas
|
|
| |
JD, an 18-year-old
African American from South Central, Los Angeles, and
Barkim, older and a lot more cocky, are having a typical
day, looking for girls, smoking bud, and stealing luxury
cars for sport and profit. They stop to get a CD out
of the back of their newly stolen Lexus Truck and discover
50 bricks of cocaine, belonging to the trucks previous
owner, a dead ringer for Tony Soprano. Barkim convinces
JD that they can make "the deal of our life time"
by selling the coke to Snooky, a guy in Vegas he knows
from fencing hot cars. The two embark on a road trip
to meet their connections at Bugsy's Diner in Vegas.
They're secretly followed by Shanida and Dawana, two
girls from their hood who have a long time vendetta
against Barkim. They pick up Vicky and Lila, who are
hitchhiking to Vegas to pursue their "dancing"
careers, just outside of Barstow. When the six inevitably
meet up, all hell breaks loose in hilarious situations,
leaving innocent JD in dire straits as plans spin way
out of control.
A hip hop version of the fabulous Pulp Fiction, this
road trip romp has humor, suspense and gritty dialog.
SCREENPLAY and Budget Available
|
|
| |
Here Comes the Sun
|
|
| |
A young and daring
Asian woman R&B singer defies her father and travels
to America to pursue her career. Her two childhood friends,
Takara and Mika, meet her in Hollywood and educate her
to the world of "hip hop" and the fine art of
finding very rich men. Serious about her career, she manages
to fend off exploitive producers and would be managers
until she meets a well-established record company owner,
who takes an interest in her.
He produces a song that she has written and performed
with his leading recording artist, EASY. It hits big but
inner conflicts ensue as she struggles for her own identity
and the pressures of race, class and her Asian family's
expectations torment her. She must make the most difficult
choice of her life as she experiences the harsh world
of the music business and struggles to express her own
voice.
SCREENPLAY and Budget Available
|
|
| |
Cosmic Radio
|
|
| |
A half-hour animated
sit com along the lines of Dr. Katz or South Park, this
music driven hip cool high tech funky fantasy world is
set in Mars in the year 2020. An international space mission
targeted to investigate the outer limits of space malfunctions
and crash lands on Mars! To the surprise of the United
States and the rest of Earth, a fantastic group of animated
characters is discovered at the center of the Mars. They
revolve around a radio station run by the universally
notorious host, THE HATER and his dj, CRAZY ARMS. The
Hater's family is the new Flintstone family of the Future.
Tik Tok, his precocious teenage daughter, is into Ham
Radio. The Hater's bossy wife, Agatha is the true strength
in the family. Each episode will feature a pop music star
that comes to Mars to be interviewed on COSMIC RADIO.
This project is ideal to become a full-length animated
feature film like SHARK'S TALE. Kids of all ages will
enjoy this comedy based on the tradition of THE JETSON'S
with a 21st Century flavor and style.
Pilot Script, DVD Promo, Bible,
Character Designs
|
|
| |
Castle of Dream
|
|
| |
This romantic love story
is set in the South of France. Two twin brothers, now
in their forties, one rich, one who already went through
his inheritance go on one last big venture together. Issues
of money, loyalty, class, family, and obligation are explored
as the two brothers become involved in a top secret project
that could lead to the answer to space travel and exploration.
Screenplay Available
|
|
| |
Against Medical Advice
|
|
| |
This dramatic story
based on actual events, chronicles the life of a young
woman in the Red Cross at the end of the War in Vietnam.
As she works to heal the wounds of the returning military
men, she becomes a victim of the medical system herself,
and then must fight her own battle back to health.
Screenplay Available
|
|
| |
SLADE PHILOSOPHY |
|
| |
Stephanie Slade is an
innovator in visual entertainment and her pioneering work
as a designer in the television and film industry has
enabled her to create a world wide community of creative
professionals. A collaborative artist, she worked with
Damien Matthias also known as "E-love" and John
"Boogie" Attles as a screenwriting team among
other urban talent to write and develop films in the urban
genre. Her combined production experience and resources
cover all aspects of production, post-production and marketing
for film, music, and fashion. She has worked in the production
communities of Hollywood and New York, and developed global
industry alliances. She has partnered with various artists
and production companies to produce documentaries, television
shows, animation and dramas. Her experience with long
distance digital communications has given her the opportunity
to meet production personnel from around the world. Her
philosophy is to be true to the independent creative spirit,
and work towards making the world a collaborative, creative,
safe and entertaining place where people can connect for
projects and stay in their pajamas if they want to, the
rest of the time working together from anywhere in the
world.
It is the mission of Slade Digital to introduce quality
entertainment with depth, intelligence, and streetwise
sensibility, present new talent and create an international
film production franchise that will continue to grow far
into the future.
In addition to her work as a producer with Slade Digital
Stephanie has started a non-profit organization to support
a broad coalition of charities working for education
and training of underserved youth and specifically of
creative young people. She has completed the curriculum
her first project for the foundation for the training
and job placement of 'at risk' youth called "Let's
Make a Movie". Her plan includes building a training
camp for youth 'at risk' similar to Robert Redford's
Sundance Institute. The dream is to have a retreat for
talented children to develop and produce their projects,
increase their knowledge, develop their health and athletic
abilities, and learn how to collaborate together in
creative teams. These teams will stay connected for
international creative work online. Primarily a Filmmaking,
Music and Sports camp, sponsorships will come from companies
like APPLE, SONY, ESPN, PIXAR, FINAL CUT, FINAL DRAFT,
MOVIE MAGIC, VESPA, FORD, AMERICAN EXPRESS, NEWLINE
CINEMA, THE FILM FOUNDATION, (many other companies that
serve the Music Film and Sports industry along with
individual donations.
|
|
| |
PRESIDENT/CEO
PRODUCER/DESIGNER/CO-WRITER - Stephanie Slade
|
|
| |
A producer, screenwriter
and designer, Ms. Slade has produced music videos, documentaries,
educational films and dramas. Her body of work includes
music videos for Capitol/EMI, Bravo's Hemingway: In Love
and War and the Movies, A&E's, The Infamous Dorothy
Parker, CBS's Sleep, Dreams, and other Mysteries of the
Night, HBO's Kathy and Mo Show, NBC's In Search of Amelia
Earhart and Her Dark Secret for HBO. She produced the
historic International Painting Interactive, connecting
over 150 artists including painters, video artists and
musicians for a live week-long creative, collaborative
worldwide jam originating from 14 countries. She secured
sponsorship from Silicon Graphics, Grass Valley Group,
Apple, IBM, AT&T and many more. Slade has received
numerous awards including the EMMY in Title Design for
the television show, The New Love American Style and she
worked with Little Apple Productions and Producer Mel
Damski on the Oscar-nominated short documentary, "Still
Kickin". Slade is a graduate of the Barron Brown
School of Dramatic Arts where she studied acting, producing
and directing. She is the owner of Slade Digital www.sladedigital.com
INDUSTRY ALLIANCES: OUR TEAM
Irwin Tennenbaum, Loeb and Loeb, Intellectual Property
Representation
Pete Wilke: Entertainment and Securities Law Attorney
Glenn Litwak: Entertainment Attorney, Litwak, Havkin &
Babos, Music Recording.
All kinds of music and film and sports folks.
|
|
| |
THE MARKET |
|
| |
A HISTORY OF GROWTH
From 1991 through 2001, domestic box office numbers have
grown 73 percent. The movie industry is known as a recession
proof industry. In bad times or good, we need our entertainment.
However, domestic box office numbers from the theatrical
release only tell part of the story as revenue from foreign
markets routinely equal or exceed these numbers. The "After
Market" for film is growing. After the theatrical
release, the film enjoys video and DVD sales, cable, network
and syndicated TV as well as ancillary markets including
soundtracks, posters, fashion, videogames and other merchandise.
In fact, thanks to the ever-increasing number of cable
channels, the emergence of the Pay-Per-View market and
the huge growth in DVDs, overall revenue in the film industry
grew well over 100 percent from 1991 through 2003.
HOLLYWOOD NOTICES THE "URBAN" MARKET
The urban market is all about lifestyle. Driven by African
Americans and Latinos, this market also includes the full
range of ethnicities. It focuses on a youthful lifestyle
based on the trends and culture of the inner city. However,
one can conceivably be a part of this market even if he
or she has never been to the inner city. And it is world
wide and growing fast. The latest statistics show that
African American Urban Market is now over 5 billion a
year strong. The point is that this market can and should
be considered mainstream.
When Boyz in the Hood grossed $56 million on a $6 million
budget in 1991, Hollywood finally took note.
Network television has long recognized the value of
the young urban market as evidenced by the billions
of dollars spent to purchase NFL and NBA television
rights and the success of the programming for WB, UPN
and Fox Networks targeted at a younger, more urban cross-over
audience.
Today, a decade after Boyz in the Hood, urban films
have become an unstoppable force with ALL major distributors
jumping in.
|
|
| |
ANCILLARY OPPORTUNITIES
SOUNDTRACK
Today Hip-Hop or R&B/Rap music is what Rock-and-Roll
was in the 50's, a furiously growing musical style that
is setting youth trends. According to Billboards' Top
100 dated February, 2003, of the top selling albums 25
were R&B/Rap including Eminem's soundtrack from 8
Mile, Jay-Z, Missy Elliot, and 50 Cent.
The key to producing a successful soundtrack is to
retain successful soundtrack producers like Dr. Dre
("Training Day") or Paul Stewart ("Barbershop").
The producer will secure top selling artists like JA
Rule, Missy Elliot, or Nelly, and then fill the rest
of the album with up-and-coming artists.
Along with the revenue stream from album sales, there
is the added benefit of music videos, providing invaluable
advertising and promotional opportunity.
FASHION
From the sporty and extremely profitable FUBU fashion
line to the more upscale Sean Jean, the influence of Hip
Hop is dominating the style of music and fashion trends
of today's youth. Besides the production and marketing
of the film, will also produce and market the movie sound
track and launch a new fashion line.
Rap mogul Russell Simmons understood
that fashion plus rap equals sales when he created the
Phat Farm fashion line. FUBU wisely retained rap icon,
LL Cool J as a spokesperson when it launched its line
that skyrocketed from a modest $1 million in revenue
five years ago to over $500 million today. Designers
such as Gucci, Prada and Versace are often subjects
that rappers choose to mention and these hip designer
fashions are regularly sported by mega-stars such as
Destiny's Child, EMINEM, Dr. Dre, Li'l Kim, Eve, Mary
J. Blige and others. will launch a successful hip-hop
fashion line with product placement in the following:
Ø
Feature film with accompanying music videos
Ø
Soundtrack, with 3 music videos
Ø
Print advertising
Ø
TV spots
Ø
In-theater trailers
OTHER TIE-INS
The new fashion label is one of a number of revenue generating
opportunities for. Many companies are now seeing movies
as a powerful marketing tool. Mercedes used the release
of Men in Black II to launch their latest car model at
a cost of $15 million, payable to the film's production
company. Both Aston Martin and Thunderbird presented their
latest high tech autos through the most successful James
Bond film box office debut in Bond history, Die Another
Day, with Pierce Brosnan and Halle Berry.
Films like our Breakfast in Vegas are ripe with product
placement opportunity including items such as clothes,
sneakers, sunglasses, watches, soft drinks, beverages
and automobiles, This exposure could spell the difference
between becoming a trend in the youth community or not.
One just needs to compare Tommy Hilfiger's 1993 annual
revenue of $138.6 million to that of 1994 ($227.2 million),
the year Snoop Doggy Dogg wore his brand on Saturday
Night Live, to the 2001 totals that now exceedv$1.9
billion to clearly understand just how lucrative this
market has become.
BASIC URBAN STATS
Around 45 million people have been identified as being
part of the urban mindset. Right now, urban culture
dictates US culture and US culture dictates world culture.
Urban markets have more people in their areas than actually
reported, and minority spending has increased 12-15%
over the last 5 years. The buying power of minorities
reached $1.3 trillion in 2001. Approximately 40 million
people have found common interest in the hip-hop culture
of music and fashion. African American consumers compromise
the largest buying power group of minorities, $572.1
billion in 2001. Hispanic spending is expected to reach
475 billion. Blacks buying power in the U.S. is expected
to increase nearly 30% to $682 billion in the next five
years. Luxury car makers and food and beverage manufacturers
alike have focused their efforts on this market segment
given the overwhelming influence they have in the market
as a whole.
COLLABORATIVE MARKETS AND PARTNERSHIPS
Footaction USA, a national athletic shoe and sportswear
retailer, has entered into a partnership with Urban
Marketing Corporation of America to market and promote
select films in over 480 Footaction stores throughout
the U.S, Puerto Rico, and the U.S. Virgin Islands. UMCA
will work with major and independent film studios to
create marketing campaigns that target Footaction's
customer base of 160 million. Under the pact, Footaction
(the second largest athletic specialty retailer in the
country) will incorporate special programming into Footaction
Television, their in-store video network, reaching an
estimated 500,000 viewers each day. The programming
will include film clips, behind-the-scenes footage,
and individual footage of actors, customized trailers
and soundtrack videos. Footaction.com will also create
online promotional events as well as include film information
in its monthly newsletter, sent to over 250,000 subscribers.
Special in-store promotional events will also be developed,
such as celebrity appearances, contests co-promoted
by local radio stations, product placement for custom
movie apparel. This marketing solution is expected to
position these films to out perform all other competitors.
This new style marketing is intended to develop a relationship
with young adults (12-24) of all races.
COMPETITION
Master P: Combining music and independent movies, this
entrepreneur's estimated wealth as of 2001 was $293.8
Million. One of Fortune 500's richest 40 under 40. Master
P has been known to distribute all music (Record label
is No limit Records) and movies (No Limit Productions)
independently. Projects include: Undisputed with Wesley
Snipes and Ving Rhames, Lockdown (produced and financed)
and is currently filming a cop comedy for Revolution/Sony
Studios, in which he stars with Harrison Ford and Josh
Hartman. Master P started a male clothing line, P. Miller,
in 2002, and he and his son recently launched P. Miller
Shorties for boys which debuted at 264 Mervyn's Department
Stores.
John Singleton: This African-American film writer won
several awards as a film student at USC which in turn
led to a contract with the powerful Creative Artists
Agency. His directorial debut Boyz In The Hood (1991)
received major studio backing, a $6M budget and a showcase
at the Cannes film Festival. An urgent, powerful, coming
of age tale, the film found a spark of hope amid its
bleak, violence-ridden South Central Los Angeles setting
and became one of the top-grossing features ever made
by a black filmmaker. Boyz in the Hood has been dubbed
one of the finest debut films in American History. The
film grossed $26.7M, and earned Oscar nominations for
best original screenplay and best director. In 1995
Singleton followed up with another moving drama Poetic
Justice starring the late rapper Tupac Shakur, and Janet
Jackson. It was received well in the box office and
among critics. In 1995 Higher Learning was released,
the movie charted relations on a multi-racial college
campus. Singleton's third feature film did over $13M
at the box office its opening weekend and eventually
earned $39M.
Spike Lee: In 1986 Spike directed his first debut film
She's Gotta Have It for $175,000. It grossed $7M. This
movie won worldwide acclaim and spawned Lee's career.
In 1988 Lee directed and produced School Daze, one of
the first major studio motion pictures over which a
black filmmaker was given complete control. Lee's next
film, Do The Right Thing, established Lee as a filmmaker
of genuine distinction and originality. Lee has filmed
over 12 movies in his career, notably including Jungle
Fever, Malcolm X and He Got Game.
|
|
| |
|
|
|
|
| Privacy
Policy | Copyright
|
|